{"id":169,"date":"2020-02-25T03:03:56","date_gmt":"2020-02-25T03:03:56","guid":{"rendered":"https:\/?page_id=169"},"modified":"2021-01-19T21:41:08","modified_gmt":"2021-01-20T03:41:08","slug":"outreach","status":"publish","type":"page","link":"https:\/\/stratisartconservation.org\/?page_id=169","title":{"rendered":"Lectures &#038; Outreach"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-left\"><strong>October 2018<br>In conjunction with Harriet\u2019s Judith Praska Distinguished Visiting Professorship at New York University, Institute of Fine Arts, she presented a lecture entitled \u201cThe Medium is the Message: The Rise of Drawing in 19<sup>th<\/sup> Century France.\u201d<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Harriet Stratis, 2018 Judith Praska Distinguished Visiting Professor\" src=\"https:\/\/player.vimeo.com\/video\/297990336?dnt=1&amp;app_id=122963\" width=\"688\" height=\"387\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p><\/p>\n\n\n\n<p><strong>August 2018<br>Harriet\u2019s expertise informed the attribution of a sketchbook to Toulouse-Lautrec in \u201cFake or Fortune,\u201d a BBC One television series.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"FAKE OR FORTUNE TOULOUSE LAUTREC SERIES 7 EPISODE 5\" width=\"688\" height=\"387\" src=\"https:\/\/www.youtube.com\/embed\/Cc0i5M35vfo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator aligncenter is-style-wide\"\/>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p><strong>May 2017<br>Harriet was invited to present the 2017 Distinguished Scholars Lecture for the Association of Print Scholars. Her talk was entitled \u201cThere\u2019s More to the Story: Integrating Paul Gauguin\u2019s Artistic Practice into an Exhibition Narrative.\u201d<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Harriet Stratis, APS Distinguished Scholar Lecture 2017\" width=\"688\" height=\"387\" src=\"https:\/\/www.youtube.com\/embed\/cXkQOOQ_Ev8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><strong>April 2016<br>\u201cTraced, Transferred and Transformed Imagery in Paul Gauguin\u2019s Graphic Works,\u201d was a talk given at the Symposium and Scholar\u2019s Day <em>A New Lens on 19th-Century Art<\/em>, co-organized by the Art Institute of Chicago and the Northwestern University Center for Scientific Studies in the Arts (NU ACCESS).<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"4\/1\/2016 Session 3 of 3: Recent Studies on 19th Century  Works of Art in Paper\" width=\"688\" height=\"387\" src=\"https:\/\/www.youtube.com\/embed\/3ydPR_TZ87I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><strong>In anticipation of Art Institute\u2019s 2017 exhibition <em>Paul Gauguin: Artist as Alchemist<\/em>, Harriet undertook in-depth research into the artist\u2019s methods and materials. In this video, she explains and demonstrates how Gauguin\u2019s innovations led to the production of a series of monotypes from the same matrix, each different from the other.<\/strong><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gauguin: Radical Innovation in Printmaking\" width=\"688\" height=\"387\" src=\"https:\/\/www.youtube.com\/embed\/Qk9mBEWQBpY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Harriet and her colleagues, Mary Broadway and Christina Taylor, demonstrate Gauguin\u2019s transfer drawing, wood-block printing and monotype techniques. The videos were shown in the exhibition side-by-side with the artworks they reference and proved to be very popular with museum visitors.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gauguin&#039;s Process: Making Transfer Drawings\" width=\"688\" height=\"387\" src=\"https:\/\/www.youtube.com\/embed\/bn-pztbu8Io?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gauguin&#039;s Process: Making Wood-Block Prints\" width=\"688\" height=\"387\" src=\"https:\/\/www.youtube.com\/embed\/0WSJTC3EXdM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gauguin&#039;s Process: Making Monotypes\" width=\"688\" height=\"387\" src=\"https:\/\/www.youtube.com\/embed\/AHIXLEhvUoE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>October 2018In conjunction with Harriet\u2019s Judith Praska Distinguished Visiting Professorship at New York University, Institute of Fine Arts, she presented&hellip;<\/p>\n","protected":false},"author":1,"featured_media":215,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-169","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/pages\/169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=169"}],"version-history":[{"count":53,"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/pages\/169\/revisions"}],"predecessor-version":[{"id":976,"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/pages\/169\/revisions\/976"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/media\/215"}],"wp:attachment":[{"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}