{"id":171,"date":"2020-02-25T03:04:10","date_gmt":"2020-02-25T03:04:10","guid":{"rendered":"https:\/?page_id=171"},"modified":"2021-01-17T22:01:26","modified_gmt":"2021-01-18T04:01:26","slug":"publications","status":"publish","type":"page","link":"https:\/\/stratisartconservation.org\/?page_id=171","title":{"rendered":"Publications"},"content":{"rendered":"<style type=\"text\/css\">\n#foogallery-gallery-956.fg-masonry { --fg-gutter: 10px; }<\/style>\n\t\t\t<div class=\"foogallery foogallery-container foogallery-masonry foogallery-lightbox-none fg-center fg-masonry fg-ready fg-dark fg-border-thin fg-shadow-small fg-loading-trail fg-loaded-fade-in fg-hover-zoomed fg-captions-bottom fg-hover-fade fg-hover-plus fg-col3\" id=\"foogallery-gallery-956\" data-foogallery=\"{&quot;item&quot;:{&quot;showCaptionTitle&quot;:true,&quot;showCaptionDescription&quot;:true},&quot;lazy&quot;:true}\" style=\"--fg-title-line-clamp: 0; --fg-description-line-clamp: 0;\" >\n\t\t<div class=\"fg-column-width\"><\/div>\n\t<div class=\"fg-gutter-width\"><\/div>\n\t\t<div class=\"fg-item fg-type-iframe fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/www.nationalgallery.org.uk\/exhibitions\/past\/drawn-in-colour-degas-from-the-burrell\" target=\"_blank\" data-caption-title=\"\u201cA Practiced Touch: Edgar Degas and the Art of Pastel,\u201d for Drawn in Colour, 2017.\" data-caption-desc=\"\u201cA Practiced Touch: Edgar Degas and the Art of Pastel,\u201d for Drawn in Colour, 2017.\" data-attachment-id=\"960\" data-type=\"iframe\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"\u201cA Practiced Touch: Edgar Degas and the Art of Pastel,\u201d for Drawn in Colour, 2017.\" width=\"150\" height=\"181\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/DrawninColor_hr\/1731649428.jpg\" data-srcset-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/DrawninColor_hr\/1815696032.jpg 3x\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22181%22%20viewBox%3D%220%200%20150%20181%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-desc\">\u201cA Practiced Touch: Edgar Degas and the Art of Pastel,\u201d for Drawn in Colour, 2017.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-iframe fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/www.theicala.org\/en\/exhibitions\/1-martin-ramirez-his-life-in-pictures-another-interpretation\" target=\"_blank\" data-caption-title=\"\u201cCreative Compulsions: Piecing Together Martin Ramirez\u2019s Monumental Drawings,\u201d for Martin Ramirez: His Life in Pictures, 2017.\" data-caption-desc=\"\u201cCreative Compulsions: Piecing Together Martin Ramirez\u2019s Monumental Drawings,\u201d for Martin Ramirez: His Life in Pictures, 2017.\" data-attachment-id=\"962\" data-type=\"iframe\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"\u201cCreative Compulsions: Piecing Together Martin Ramirez\u2019s Monumental Drawings,\u201d for Martin Ramirez: His Life in Pictures, 2017.\" width=\"150\" height=\"171\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/MR_ICA_LA_catalogue_hr\/4226747982.jpg\" data-srcset-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/MR_ICA_LA_catalogue_hr\/1354537177.jpg 3x\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22171%22%20viewBox%3D%220%200%20150%20171%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-desc\">\u201cCreative Compulsions: Piecing Together Martin Ramirez\u2019s Monumental Drawings,\u201d for Martin Ramirez: His Life in Pictures, 2017.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-iframe fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/archive.artic.edu\/gauguin\/\" target=\"_blank\" data-caption-title=\"\u201cDisrupting Convention: Gauguin\u2019s Unique Multiples and Transfers,\u201d and \u201cA Brief Chronology of Gauguin\u2019s Methods and Materials,\u201d in Gauguin: Artist as Alchemist, 2017.\" data-caption-desc=\"\u201cDisrupting Convention: Gauguin\u2019s Unique Multiples and Transfers,\u201d and \u201cA Brief Chronology of Gauguin\u2019s Methods and Materials,\u201d in Gauguin: Artist as Alchemist, 2017.\" data-attachment-id=\"968\" data-type=\"iframe\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"\u201cDisrupting Convention: Gauguin\u2019s Unique Multiples and Transfers,\u201d and \u201cA Brief Chronology of Gauguin\u2019s Methods and Materials,\u201d in Gauguin: Artist as Alchemist, 2017.\" width=\"150\" height=\"178\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/gauguin_xl\/4280333096.jpg\" data-srcset-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/gauguin_xl\/432473187.jpg 3x\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22178%22%20viewBox%3D%220%200%20150%20178%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-desc\">\u201cDisrupting Convention: Gauguin\u2019s Unique Multiples and Transfers,\u201d and \u201cA Brief Chronology of Gauguin\u2019s Methods and Materials,\u201d in Gauguin: Artist as Alchemist, 2017.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-iframe fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/publications.artic.edu\/gauguin\/reader\/gauguinart\/section\/139805\" target=\"_blank\" data-caption-title=\"Three essays and 125 technical studies in Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago, 2016.\" data-caption-desc=\"Three essays and 125 technical studies in Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago, 2016.\" data-attachment-id=\"963\" data-type=\"iframe\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"Three essays and 125 technical studies in Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago, 2016.\" width=\"150\" height=\"84\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/osci_hr\/2213626128.jpg\" data-srcset-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/osci_hr\/2370207143.jpg 3x\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%2284%22%20viewBox%3D%220%200%20150%2084%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-desc\">Three essays and 125 technical studies in Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago, 2016.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-iframe fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/archetype.co.uk\/our-titles\/the-broad-spectrum\/?id=93\" target=\"_blank\" data-caption-title=\"The Broad Spectrum: Studies in the Materials, Techniques, and Conservation of Color on Paper, 2002.\" data-caption-desc=\"The Broad Spectrum: Studies in the Materials, Techniques, and Conservation of Color on Paper, 2002.\" data-attachment-id=\"958\" data-type=\"iframe\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"The Broad Spectrum: Studies in the Materials, Techniques, and Conservation of Color on Paper, 2002.\" width=\"150\" height=\"207\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/BroadSpectrum\/2406546826.jpg\" data-srcset-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/BroadSpectrum\/1716900073.jpg 3x\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22207%22%20viewBox%3D%220%200%20150%20207%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-desc\">The Broad Spectrum: Studies in the Materials, Techniques, and Conservation of Color on Paper, 2002.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-iframe fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/www.artic.edu\/print-publications\/the-lithographs-of-james-mcneill-whistler\" target=\"_blank\" data-caption-title=\"\u201cCompilation of Lifetime and Posthumous Watermarks,\u201d in Vol. 2, Correspondence and Technical Studies, ed. Martha Tedeschi. Chicago, 1998.\" data-caption-desc=\"\u201cCompilation of Lifetime and Posthumous Watermarks,\u201d in Vol. 2, Correspondence and Technical Studies, ed. Martha Tedeschi. Chicago, 1998.\" data-attachment-id=\"966\" data-type=\"iframe\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"\u201cCompilation of Lifetime and Posthumous Watermarks,\u201d in Vol. 2, Correspondence and Technical Studies, ed. Martha Tedeschi. Chicago, 1998.\" width=\"150\" height=\"212\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/Whistler_v2_hr-e1610508614579\/2542285267.jpg\" data-srcset-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/Whistler_v2_hr-e1610508614579\/2466359072.jpg 3x\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22212%22%20viewBox%3D%220%200%20150%20212%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-desc\">\u201cCompilation of Lifetime and Posthumous Watermarks,\u201d in Vol. 2, Correspondence and Technical Studies, ed. Martha Tedeschi. Chicago, 1998.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-iframe fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/www.artic.edu\/print-publications\/the-lithographs-of-james-mcneill-whistler\" target=\"_blank\" data-caption-title=\"The Lithographs of James McNeill Whistler, Vol. 1, A Catalogue Raisonne, eds. Harriet K. Stratis and Martha Tedeschi.\" data-caption-desc=\"The Lithographs of James McNeill Whistler, Vol. 1, A Catalogue Raisonne, eds. Harriet K. Stratis and Martha Tedeschi.\" data-attachment-id=\"965\" data-type=\"iframe\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"The Lithographs of James McNeill Whistler, Vol. 1, A Catalogue Raisonne, eds. Harriet K. Stratis and Martha Tedeschi.\" width=\"150\" height=\"214\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/Whistler_v1_hr-e1610508676842\/2039592781.jpg\" data-srcset-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/Whistler_v1_hr-e1610508676842\/2098733502.jpg 3x\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22214%22%20viewBox%3D%220%200%20150%20214%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-desc\">The Lithographs of James McNeill Whistler, Vol. 1, A Catalogue Raisonne, eds. Harriet K. Stratis and Martha Tedeschi.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-iframe fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/www.artic.edu\/exhibitions\/8249\/mary-cassatt-modern-woman\" target=\"_blank\" data-caption-title=\"\u201cInnovation and Tradition in Mary Cassatt\u2019s Pastels: A Study of Her Methods and Materials,\u201d in Mary Cassatt: Modern Woman, 1998.\" data-caption-desc=\"\u201cInnovation and Tradition in Mary Cassatt\u2019s Pastels: A Study of Her Methods and Materials,\u201d in Mary Cassatt: Modern Woman, 1998.\" data-attachment-id=\"969\" data-type=\"iframe\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"\u201cInnovation and Tradition in Mary Cassatt\u2019s Pastels: A Study of Her Methods and Materials,\u201d in Mary Cassatt: Modern Woman, 1998.\" width=\"150\" height=\"194\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/Cassatt\/3504569251.jpg\" data-srcset-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/Cassatt\/3730065172.jpg 3x\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22194%22%20viewBox%3D%220%200%20150%20194%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-desc\">\u201cInnovation and Tradition in Mary Cassatt\u2019s Pastels: A Study of Her Methods and Materials,\u201d in Mary Cassatt: Modern Woman, 1998.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><div class=\"fg-item fg-type-iframe fg-idle\"><figure class=\"fg-item-inner\"><a href=\"https:\/\/www.artic.edu\/exhibitions\/8067\/odilon-redon-prince-of-dreams\" target=\"_blank\" data-caption-title=\"\u201cBeneath the Surface: Redon\u2019s Methods and Materials,\u201d in Odilon Redon: Prince of Dreams, 1994.\" data-caption-desc=\"\u201cBeneath the Surface: Redon\u2019s Methods and Materials,\u201d in Odilon Redon: Prince of Dreams, 1994.\" data-attachment-id=\"970\" data-type=\"iframe\" class=\"fg-thumb\"><span class=\"fg-image-wrap\"><img decoding=\"async\" title=\"\u201cBeneath the Surface: Redon\u2019s Methods and Materials,\u201d in Odilon Redon: Prince of Dreams, 1994.\" width=\"150\" height=\"184\" class=\"skip-lazy fg-image\" data-src-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/Redon\/3306794238.jpg\" data-srcset-fg=\"https:\/\/stratisartconservation.org\/wp-content\/uploads\/cache\/2021\/01\/Redon\/1997097386.jpg 3x\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20width%3D%22150%22%20height%3D%22184%22%20viewBox%3D%220%200%20150%20184%22%3E%3C%2Fsvg%3E\" loading=\"eager\"><\/span><span class=\"fg-image-overlay\"><\/span><\/a><figcaption class=\"fg-caption\"><div class=\"fg-caption-inner\"><div class=\"fg-caption-desc\">\u201cBeneath the Surface: Redon\u2019s Methods and Materials,\u201d in Odilon Redon: Prince of Dreams, 1994.<\/div><\/div><\/figcaption><\/figure><div class=\"fg-loader\"><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":214,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-171","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/pages\/171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=171"}],"version-history":[{"count":54,"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/pages\/171\/revisions"}],"predecessor-version":[{"id":957,"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/pages\/171\/revisions\/957"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=\/wp\/v2\/media\/214"}],"wp:attachment":[{"href":"https:\/\/stratisartconservation.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}